deus ex human revolution panchaea server room

#Deus ex human revolution panchaea server room series

“Deus Ex: Human Revolution,” Square Enix.

– Charlie Gordon, “Flowers for Algernon” Although we know the end of the maze holds death, I see now that the path I choose through the maze makes me what I am. Where I’m going as well as where I’ve been. The meaning of my total existence involves knowing the possibilities of my future as well as my past. The Augmentative Role: Striving to be more than We Are

#Deus ex human revolution panchaea server room series

It is a series well-deserving of its many accolades. Stay tuned, too, for updated work on “Deus Ex” in the weeks to come. Nevertheless, I hope readers will enjoy the piece.

It also focuses much more heavily on the phenomenology of games - that is, what it is like to experience playing a particular game - whereas my current work is more focused on the architecture of games as aesthetic objects. Note, again, that this older work is not altogether reflective of my current stances on video game theory. My hope is this will be a timely moment for this work, in anticipation of the latest addition to the “Deus Ex” franchise: “Deus Ex: Mankind Divided.” Now, I am releasing the third installment of this old study, in which I argue that “Deus Ex” and “Flowers for Algernon” both give us unexpected insights into how we can become better versions of ourselves. I have been publishing pieces of this study over the past few months on this site, which is the first time they have been published online - I began with an analysis of “Legend of Zelda: Majora’s Mask” and “Six Characters in Search of an Author” (which you can read here) which I followed with an exploration of the similarities between “Dishonored” and “Macbeth” (which you can read in Parts 1, 2, and 3). Regulars of With a Terrible Fate know that, back in the spring of 2013, I undertook a project analyzing the various role-playing dynamics of well-known video games and theatrical pieces. A Comprehensive Theory of Majora’s Mask.